Friday, August 26, 2016
to have recourse
Harriet asking to delay her wedding, Clementina wanting to repel marriage and become a nun, this is another mirroring that I can’t parse, the two women parallel, both struggling against a vise (vol. 6, many ch.). The tenor of the book runs a) with the desires of the vises, but also b) with the feelings of the women since it will not criticise their unreason except through a questionable polyphony. Unreason here is as the vises perceive it. The value of this secret unreason is preached by the book, but hopelessly, the book forming the parallel as a kind of protest, like an extended, begging hand. It is sympathetic to Harriet, showing her dread, and Harriet says that Clementina should be allowed to follow her inspiration, though she is not speaking to the other woman’s face, never having met her. Harriet believes the longing, as a longing, should be heeded. And the reader might recall the aspiring rapist Pollexfen ignoring Harriet's own distress long ago in vol. 1, ch. 33: “he now and then made apologies for the cruelty, to which, he said, he was compelled by my invincible obstinacy, to have recourse.” Now the Pollexfen situation is replicated insidiously by people the author has more or less labelled good. Here is a high point of Richardson’s ambiguity.
Here is one undertone in him: women are always in captivity.