Sunday, July 30, 2017

when it is snowing, the valley is black, p. 42

Plenitude, now, to start with; Schmidt using plenitude of stories in Atheists as a means of expansion, and then Frisch's Geiser using a multiplication of stories as a form of displacement. Old and forgetful, Geiser tries to get his meaning outside himself. He pins these pieces of paper to the walls and looks at them. (Could you suggest that the situation in reverse would characterise youth for Frisch: a man without accoutrements, independently explaining himself in a well-connected series of words?) Clear thoughts and memories have been replaced by physical gestures. Geiser cuts books apart and goes for walks. That's how he tries to discern himself. He keeps trying to put himself outside. These are his calculations or proofs. But the spaces between the gestures are still unarticulated. And the paragraphs the reader sees in Holocene are set apart with white space between them: the effort you make to cross those spaces and fix the book together is made visible by the gap on the page. Frisch's way of apportioning things might remind you that running paragraphs together mentally is an effort, even if it normally seems natural and effortless because you are such a good reader. We're all heading for Geiser-land, when the pause will be a real danger. You forget in pauses. Even now you say, "I walked into this room to fetch something and now I don't remember what it was." Geiser notices the varieties of rain, then the book reflects that at least it is not snowing. A gap passes and it is snowing. The white space is a passage of time with nothing in it but struggle and drowning. Geiser turns the stove on in one paragraph, the white space comes, and ping, the danger of forgetfulness tries to overwhelm him. His stroke at the end of the book attracts an abundance of words from other sources. He has chosen them but they are not his own. They're followed by that landscape description but for the first time he is not in the landscape. Even the body of text that usually contains him does not have him in it any more. He is gone in more than one way. It is an extra-final wiping-out.

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