Up the hard road he chased his phantoms, neck and neck with fear. But the old mare was a stayer, and on the hill-crest day was breaking. Serpent-heads tossed in the first light; a breakaway gelding bucked, down in the skyline; but the mob came in to the whip. In the heavy stockyard the horses stood steaming, hock-deep in mud.
(David Campbell, Evening Under Lamplight: Selected Stories, 1976
The museum institutionalises the truly radical, atheistic, revolutionary violence that demonstrates the past is incurably dead. It is a purely materialistic death, without return – the aestheticized material corpse functions as a testimony to the impossibility of resurrection.
(Boris Groys, In the Flow, 2016)
Wednesday, December 27, 2017
without return
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